Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

Photo: courtesy of the author.

How Drag Queens Like Lady Bunny Inspire A Straight Biracial Woman Like Me

Drag queens, like Lady Bunny, teach outsiders to embrace ourselves and to embrace others. That means doing more than demonstrating tolerance.

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Social media notoriously gives its users the opportunity to present their lives as perfect and conflict-free. Image: Thinkstock.

My Friend's Instagram Post About Her Miscarriage Changed How I See Social Media

I scrolled through my Instagram feed to catch a photo of a friend’s first tattoo. It was an abstract design that paid homage to her wedding venue, a distinctive historic site in her home state. The tattoo seemed sweet at first, but then I read the photo caption. My friend had gotten inked to honor the child she lost in miscarriage.

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It really had been a perfect day. Image: Andrew Itaga/Unsplash.

I Was Shamed For My Budget Wedding, But I Have No Regrets

Some people think that the size and budget of your wedding reflect how much love you and your partner have for each other: The bigger the wedding, the bigger the love. On the other hand, my father likes to joke, “The bigger the wedding, the bigger the divorce.”

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By the end of the first haunted house rehearsal, I knew the job would truly test my abilities to carry my body and voice well.

 Working At A Haunted House Was Better Than Therapy 

Before I became a haunted house performer, I thought having my face touched was one of the creepiest things imaginable. But it wasn't the eerie set music or the beheaded baby dolls that changed my definition of scary. It was what went on in the green room.

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