Jody Amable

Forget a cute story of wizard wonderment — the real moral of Harry Potter is that life is an endless parade of pain and turmoil where you have to watch everyone you’ve ever loved die.

There are a lot of things to hate about the Olympics.

Like most nerd realms, music writing is a predominantly male world. Especially if, like me, your greatest love is classic rock.

If I let everyone off the hook for extenuating circumstances like, “He’s over 50, so he probably just doesn’t know any better,” no one’s ever going to stop calling me “sweetie.”

The further I get into this series, the harder time I am having remembering what the eff has happened so far. You see, I am an Old Lady.

Jon Stewart, step aside. Your heir apparent has arrived.

A few weeks back, I got looped into an Instagram chat with some coworkers from one of my gigs, who were snarking about the fact that the

A new feature with music picks tailor-made to ensure your weekend jam sessions are absolutely ravishing.

So far, Deathly Hallows is, to me, about the divide between the living, the dead, and the living who have seen death. Harry and I are part of an exclusive club: Those under 30 who have experienced death. And when I say “experienced,” I don’t mean “witnessed.” I mean really, really felt it, all the way through.

I was waiting to finally not like a Harry Potter book, and folks, I found it. Half-Blood Prince was boring.