Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

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It's Time To Change How We Look At The Teen Brain

It's worth questioning some of our assumptions about adolescent inferiority.

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This Is What Happens When Your Family Decides To Get A Dog

If my wife and son had thought bubbles above their heads, like in the comics, you would be able to read them saying, "dog dog dog dog dog dog dog."

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What On Earth To Make Of Azealia Banks' Whiteface Music Video

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.

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Large Fears: The Importance Of Marginalized Children Being Represented In Literature

Iin a passionate Facebook thread last week, children's author Meg Rosoff rejected the idea that there are "too few books for marginalized young people," as librarian Edith Edi Campbell had suggested.

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The Female Man And Its Disdain For Femininity

Feminist dystopia at its finest. Joanna Russ imagines a world in which the elimination of gender hierarchy leads to freedom, strength, and power.

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Pretty Woman At 25: Still A Crass, Degrading Power Fantasy

The rom-com's worshipping of power and wealth comes with a gender twist.

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How Wonder Woman's Male Creator Helped Shape Third-Wave Feminism 

To understand this debate, it's important to consider historical context.

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Batman, Superguys, And The Man In Bam!

Did the classic Adam West Batman show strike a blow (Kerwhap!) for feminism?

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Émilie Du Châtelet (Credit: Wikimedia Commons)

Where Are All The Female Philosophers?

Is the gender of the philosopher a marginal curiosity—or is it more central?

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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