Noah Berlatsky

The first graphic novel to win a Caldeott gives children the chance to be adults, and adults the chance to be kids.

Fifth Harmony is nobody's idea of a roots band.

Maddie & Tae's new hit both indicates and subverts country's long history of sexism.

Writing can be hard and uncomfortable and precarious—but it's hard and uncomfortable and precarious in the way that any job can be.

At first, this looks like sexism. And then you realize, hey, this is sexism. Hope isn't allowed to do the dangerous job because Pym has put her on a pedestal, and won't let her off it.

If my wife and son had thought bubbles above their heads, like in the comics, you would be able to read them saying, "dog dog dog dog dog dog dog."

The loss of gospel history has meant forgetting how important black women have been to American performance styles.

There's a good argument to be made that the earliest, and the best, rockabilly performers were women. Slicked-back, hiccuping, hopped up cool.

David Ress' Aphexswift is genius precisely because it's so unlikely.

These covers remind us of the lengthy, rich—but often obscured—history of female songwriters.