Noah Berlatsky

The MIT professor recently wrote that feminist literature left him "terrified" of his sexual desire. But is Dworkin to blame?

These covers remind us of the lengthy, rich—but often obscured—history of female songwriters.

A new Facebook post calls into question cover depictions of hyper-sexualized men and women.

The Lord of the Flies can feel like a vacation spot for conflict-management consultants in comparison to social media.

With the prospect of another Bush/Clinton presidential contest looming as ominously as Donald Trump's hairpiece, the word "dynasty" seems to be frothing off of many a pundit's keyboard. "Clinton, Bush struggle to shed dynasty labels," a Washington Post headline declared.

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

Billie Holiday, Ella Fitzgerald, Edith Piaf: they're all still practically household names.

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

C.S. Lewis' classic book presents an unlikely challenge to the patriarchy in the form of its true hero, Lucy.

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.