Noah Berlatsky

Rodriguez is confused when she says that people want her to steal white people's superheroes. But she also has a point.

A recent controversy at the Calgary Expo suggests MRAs care more about making opponents look bad than they do about discrimination.

Did the classic Adam West Batman show strike a blow (Kerwhap!) for feminism?

Talking about race can get you into a lot of trouble . . . especially if you don't have a lot of class power or status.

I am on my knees in 15-degree weather scrubbing poop from the sidewalk, and I have an epiphany of sorts—I do not want this dog.

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

Feminist dystopia at its finest. Joanna Russ imagines a world in which the elimination of gender hierarchy leads to freedom, strength, and power.

Who is memorialized in death has everything to do with race, class . . . and who you were in life.

The rom-com's worshipping of power and wealth comes with a gender twist.

Country music is an overwhelmingly heterosexual endeavor. The LGBTQ community certainly listen to, and perform, country, but in terms of lyrical content and themes, country has been focused on male-female romantic love.