Noah Berlatsky

The cover for A-Force is a combination of tired trope and deodorant ad. Female empowerment can do so much better.

To read Massive isn't to discover a hidden truth, but to see a massive, obvious fact, bulging out for all the world to see.

Who is memorialized in death has everything to do with race, class . . . and who you were in life.

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

Why should prostitution be illegal? And, more specifically why should male prostitution be illegal?

For once, central character Andrew's flaws are tied up in the fact that he is—wait for it—fundamentally decent.

There's a good argument to be made that the earliest, and the best, rockabilly performers were women. Slicked-back, hiccuping, hopped up cool.

Metal aggression isn't sexual, but existential. As a result, women in the genre are both rare and unexpectedly equal.

A new Facebook post calls into question cover depictions of hyper-sexualized men and women.

While Atwood's feminist dystopia remains our favorite nightmarish future, Marge Piercy's Woman On The Edge Of Time is far superior.