Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Credit: Wikimedia Commons

Michelle Rodriguez Is Right (And Wrong) About Race And Superheroes

Rodriguez is confused when she says that people want her to steal white people's superheroes. But she also has a point.

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On Privilege And Online Bullying

The Lord of the Flies can feel like a vacation spot for conflict-management consultants in comparison to social media.

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Comic Heroine Ms. Marvel Fights Islamophobia On Streets Of San Francisco

Bus ads comparing Muslims to Hitler have been replaced with images of a superhero. And not just any superhero.

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From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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Why The New Jude Law Film Black Sea Has A Masculinity Problem

It's hard to deny the appeal of the masculine ideal, especially when embodied in Jude Law. And yet, it's also a depressing vision.

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Scott Aaronson And The Tired Notion That It's Feminism Hurting Men

The MIT professor recently wrote that feminist literature left him "terrified" of his sexual desire. But is Dworkin to blame?

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What A Bad Jason Isbell Concert Taught Me About Marriage

Irritation is the way of all flesh. The question is, if you're going to be annoyed for all of eternity, who do you want to be doing the annoying?

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Heavy Metal Tries To Join Forces With #GamerGate . . . And Fails 

For a second, it looked like the rabid hordes of gamergaters would be joined by metalheads. But #metalgate was never meant to be.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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Even In Tragic Death, Charlie Hebdo Victims Benefit From Privilege 

Who is memorialized in death has everything to do with race, class . . . and who you were in life.

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