Noah Berlatsky

To understand this debate, it's important to consider historical context.

Fifth Harmony is nobody's idea of a roots band.

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

To read Massive isn't to discover a hidden truth, but to see a massive, obvious fact, bulging out for all the world to see.

Sex and bodies don't clarify gender; they confuse the issue.

For once, central character Andrew's flaws are tied up in the fact that he is—wait for it—fundamentally decent.

"I believe that, in order to address these problems, we need to first understand how we got here."

While Atwood's feminist dystopia remains our favorite nightmarish future, Marge Piercy's Woman On The Edge Of Time is far superior.

Country music is an overwhelmingly heterosexual endeavor. The LGBTQ community certainly listen to, and perform, country, but in terms of lyrical content and themes, country has been focused on male-female romantic love.

It's hard to deny the appeal of the masculine ideal, especially when embodied in Jude Law. And yet, it's also a depressing vision.