Christine Stoddard

For years, my white father called my mother’s beauty an “exotic” beauty. When I started to come into my own, he began calling me “exotic,” too. It wasn’t until high school that I began to understand why this word bothered me. Though my father meant it as a compliment, the word “othered” my mother, younger sisters, and me.

Fielding off-putting questions and comments is a regular part of the mixed-race experience around the world. Yet this social phenomenon is especially common in places with a legacy of institutionalized and cultural racism. That includes the South.

The moon sauntered out from a curtain of clouds, whispering, “All things must end.”

Indigenous people throughout the world already face so many challenges; they don’t need non-Indigenous people appropriating their cultures and championing family lore as fact. The genocide of Indigenous people is an ongoing travesty throughout the world

In art school, conversations about the merits of polyamory thrived, but hearing anyone express a genuine desire to get married almost never happened. It was almost taboo. The implication was, how could you want something so traditional? So suburban and unimaginative?

My now-husband was stunned the first time I told him what I do while walking alone. I mentioned behavior typical of so many city-dwelling women: carrying pepper spray, checking my back every block, trying to look confident while struggling to properly breathe. After a moment of silence, he teared up and said, “I don’t want you to have to worry.”

When you’re married to the only white man in your apartment building—and one of the very few in the neighborhood—you, as a woman, make a habit of observing him, especially if you’re a woman of color or a mixed race woman. “Will he use his social privilege for good or evil?” is the simple question, but evaluating him in those terms is not so simple.

[CN: mention of intimate partner violence] Patsy Cline sang with such a beautiful range of emotion because she had experienced so many ups and downs in her own life.

Before I became a haunted house performer, I thought having my face touched was one of the creepiest things imaginable. But it wasn't the eerie set music or the beheaded baby dolls that changed my definition of scary. It was what went on in the green room.

I tapped the razor on the side of the sink and inspected my smooth legs for any missed spots. Then I rinsed the blade, washed my hands, and put on my outfit: a long-sleeved black top, a knee-length denim skirt, tall black boots, and a silver dragon necklace for good measure.