Christine Stoddard

Though I was raised in an interdenominational household, my upbringing could at best be described as vaguely Christian.

The moon sauntered out from a curtain of clouds, whispering, “All things must end.”

I eventually began to accept that truly being a feminist means embracing the idea of “my body, my choice” in all its incarnations. If I truly believe that women have the right to accessible birth control, the right to safe abortions, the right to consent to sex, and the right to make any decision regarding their own body, it also means I should believe women have the right to decide to never, ever have sex. There are two things that made it hard for me to come to that realization: virgin-shaming and purity culture.

I tapped the razor on the side of the sink and inspected my smooth legs for any missed spots. Then I rinsed the blade, washed my hands, and put on my outfit: a long-sleeved black top, a knee-length denim skirt, tall black boots, and a silver dragon necklace for good measure.

My now-husband was stunned the first time I told him what I do while walking alone. I mentioned behavior typical of so many city-dwelling women: carrying pepper spray, checking my back every block, trying to look confident while struggling to properly breathe. After a moment of silence, he teared up and said, “I don’t want you to have to worry.”

I scrolled through my Instagram feed to catch a photo of a friend’s first tattoo. It was an abstract design that paid homage to her wedding venue, a distinctive historic site in her home state. The tattoo seemed sweet at first, but then I read the photo caption. My friend had gotten inked to honor the child she lost in miscarriage.

Before I became a haunted house performer, I thought having my face touched was one of the creepiest things imaginable. But it wasn't the eerie set music or the beheaded baby dolls that changed my definition of scary. It was what went on in the green room.

When you’re married to the only white man in your apartment building—and one of the very few in the neighborhood—you, as a woman, make a habit of observing him, especially if you’re a woman of color or a mixed race woman. “Will he use his social privilege for good or evil?” is the simple question, but evaluating him in those terms is not so simple.

In art school, conversations about the merits of polyamory thrived, but hearing anyone express a genuine desire to get married almost never happened. It was almost taboo. The implication was, how could you want something so traditional? So suburban and unimaginative?

Fielding off-putting questions and comments is a regular part of the mixed-race experience around the world. Yet this social phenomenon is especially common in places with a legacy of institutionalized and cultural racism. That includes the South.