Christine Stoddard

I was shivering and sweating. What if the procedure didn't work? What if I had serious complications? What if I had to come back?

Most of my friends are my age or slightly older and yet virtually none of them want children… ever. They argue that women deserve respect and autonomy over their bodies. I passionately agree. A few of these friends are, like me, engaged or married, but even they don’t want kids. One of my engaged friends says she and her fiancé may want to adopt children later in life, after they’ve had the chance to travel extensively.

I scrolled through my Instagram feed to catch a photo of a friend’s first tattoo. It was an abstract design that paid homage to her wedding venue, a distinctive historic site in her home state. The tattoo seemed sweet at first, but then I read the photo caption. My friend had gotten inked to honor the child she lost in miscarriage.

Fielding off-putting questions and comments is a regular part of the mixed-race experience around the world. Yet this social phenomenon is especially common in places with a legacy of institutionalized and cultural racism. That includes the South.

The moon sauntered out from a curtain of clouds, whispering, “All things must end.”

I cringe when Kim Kardashian opens her pouty lips because I know the onslaught of vocal fry

For years, my white father called my mother’s beauty an “exotic” beauty. When I started to come into my own, he began calling me “exotic,” too. It wasn’t until high school that I began to understand why this word bothered me. Though my father meant it as a compliment, the word “othered” my mother, younger sisters, and me.

When you’re married to the only white man in your apartment building—and one of the very few in the neighborhood—you, as a woman, make a habit of observing him, especially if you’re a woman of color or a mixed race woman. “Will he use his social privilege for good or evil?” is the simple question, but evaluating him in those terms is not so simple.

[CN: mention of intimate partner violence] Patsy Cline sang with such a beautiful range of emotion because she had experienced so many ups and downs in her own life.

Before I became a haunted house performer, I thought having my face touched was one of the creepiest things imaginable. But it wasn't the eerie set music or the beheaded baby dolls that changed my definition of scary. It was what went on in the green room.