Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

"When I told my husband that his relative comfort on a city street is evidence of his male privilege, the look on his face implied that this was news to him." Image: Thinkstock

Explaining To A Man What It's Like To Be A Woman And Afraid

My now-husband was stunned the first time I told him what I do while walking alone. I mentioned behavior typical of so many city-dwelling women: carrying pepper spray, checking my back every block, trying to look confident while struggling to properly breathe. After a moment of silence, he teared up and said, “I don’t want you to have to worry.”

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It really had been a perfect day. Image: Andrew Itaga/Unsplash.

I Was Shamed For My Budget Wedding, But I Have No Regrets

Some people think that the size and budget of your wedding reflect how much love you and your partner have for each other: The bigger the wedding, the bigger the love. On the other hand, my father likes to joke, “The bigger the wedding, the bigger the divorce.”

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Illustrations by Ajah Courts (http://cargocollective.com/ajahcourts/Quail-Bell)

China Street: Fiction From Quail Bell Magazine

The moon sauntered out from a curtain of clouds, whispering, “All things must end.”

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Image: Thinkstock

Living In The South As A Non-Black Mixed-Race Person

Fielding off-putting questions and comments is a regular part of the mixed-race experience around the world. Yet this social phenomenon is especially common in places with a legacy of institutionalized and cultural racism. That includes the South.

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