Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

After wearing glasses since fourth grade and contacts since high school, I was eager to see the world unassisted. Image: Liam Welch/Unsplash.

Life After LASIK: Seeing The World On My Own Terms

I was shivering and sweating. What if the procedure didn't work? What if I had serious complications? What if I had to come back?

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You and your husband have a responsibility to integrate yourselves into the neighborhood. (Image: Thinkstock)

When You’re Married To The Only White Man In The Building

When you’re married to the only white man in your apartment building—and one of the very few in the neighborhood—you, as a woman, make a habit of observing him, especially if you’re a woman of color or a mixed race woman. “Will he use his social privilege for good or evil?” is the simple question, but evaluating him in those terms is not so simple.

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Children make me giddy, whether I’m on the subway or in the park. Image: Adrianna Calvo/Pexels.

When None Of Your Feminist Friends Want Kids

Most of my friends are my age or slightly older and yet virtually none of them want children… ever. They argue that women deserve respect and autonomy over their bodies. I passionately agree. A few of these friends are, like me, engaged or married, but even they don’t want kids. One of my engaged friends says she and her fiancé may want to adopt children later in life, after they’ve had the chance to travel extensively.

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By the end of the first haunted house rehearsal, I knew the job would truly test my abilities to carry my body and voice well.

 Working At A Haunted House Was Better Than Therapy 

Before I became a haunted house performer, I thought having my face touched was one of the creepiest things imaginable. But it wasn't the eerie set music or the beheaded baby dolls that changed my definition of scary. It was what went on in the green room.

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