Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

image credit: Thinkstock

Love It? Hate It? Vocal Fry Is Everywhere

I cringe when Kim Kardashian opens her pouty lips because I know the onslaught of vocal fry

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It really had been a perfect day. Image: Andrew Itaga/Unsplash.

I Was Shamed For My Budget Wedding, But I Have No Regrets

Some people think that the size and budget of your wedding reflect how much love you and your partner have for each other: The bigger the wedding, the bigger the love. On the other hand, my father likes to joke, “The bigger the wedding, the bigger the divorce.”

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If someone doesn’t want to have sex, now or ever, that is her choice.

We Can Respect Virginity & Celibacy Without Supporting Purity Culture

I eventually began to accept that truly being a feminist means embracing the idea of “my body, my choice” in all its incarnations. If I truly believe that women have the right to accessible birth control, the right to safe abortions, the right to consent to sex, and the right to make any decision regarding their own body, it also means I should believe women have the right to decide to never, ever have sex. There are two things that made it hard for me to come to that realization: virgin-shaming and purity culture.

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"Our wedding took place one May morning, outside of a historic house that overlooks the river running through our college town." Image: Pixabay, Veton Ethemi

I Am An Artist Who Married Young, And I Feel Like The Only One

In art school, conversations about the merits of polyamory thrived, but hearing anyone express a genuine desire to get married almost never happened. It was almost taboo. The implication was, how could you want something so traditional? So suburban and unimaginative?

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