Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

I want to see the place that shaped my mother and her earliest memories because she shaped me and my earliest memories.

When Your Mother's Land Isn't Your  Motherland

Immigrants are pushed out of their home countries due to social, political, or economic forces beyond their control — poverty, genocide, wartime.... I doubt many Salvadorans of my mother's generation fled El Salvador to go “find themselves.”

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Emotionally, there were times I longed for a hint of my Salvadoran heritage in my name.

Why My Immigrant Parent Gave Me Such An “American” Name

Plenty of Americans have names that don't convey their full cultural background because, at this point, so many of us are mixed up. How could our names possibly communicate all that we are? But when the time comes for an interracial, interethnic, international couple to name their child, they're often faced with a political decision.

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Photo: courtesy of the author.

How Drag Queens Like Lady Bunny Inspire A Straight Biracial Woman Like Me

Drag queens, like Lady Bunny, teach outsiders to embrace ourselves and to embrace others. That means doing more than demonstrating tolerance.

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By the end of the first haunted house rehearsal, I knew the job would truly test my abilities to carry my body and voice well.

 Working At A Haunted House Was Better Than Therapy 

Before I became a haunted house performer, I thought having my face touched was one of the creepiest things imaginable. But it wasn't the eerie set music or the beheaded baby dolls that changed my definition of scary. It was what went on in the green room.

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