Christine Stoddard

Christine Stoddard

Bio

Originally from Virginia, Christine Stoddard is a Salvadoran-Scottish-American writer and artist. She also is the founding editor of Quail Bell Magazine, a place for real and unreal stories from around the world. Her art and stories have appeared in Cosmopolitan, Bustle,The Huffington Post, Vivala, The Feminist Wire, the New York Transit Museum, Philly Fringe Fest, and beyond. She also is the author of Hispanic and Latino Heritage in Virginia (The History Press, 2016). In 2014, Folio Magazine named Christine one of the media industry's top visionaries in their 20s.

Christine Stoddard Articles

Illustrations by Ajah Courts (http://cargocollective.com/ajahcourts/Quail-Bell)

China Street: Fiction From Quail Bell Magazine

The moon sauntered out from a curtain of clouds, whispering, “All things must end.”

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We need to make women of all faiths feel included. (Image:Thinkstock)

I'm A Non-Religious Woman, But I Respect Religious Women 

Though I was raised in an interdenominational household, my upbringing could at best be described as vaguely Christian.

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I want to see the place that shaped my mother and her earliest memories because she shaped me and my earliest memories.

When Your Mother's Land Isn't Your  Motherland

Immigrants are pushed out of their home countries due to social, political, or economic forces beyond their control — poverty, genocide, wartime.... I doubt many Salvadorans of my mother's generation fled El Salvador to go “find themselves.”

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After wearing glasses since fourth grade and contacts since high school, I was eager to see the world unassisted. Image: Liam Welch/Unsplash.

Life After LASIK: Seeing The World On My Own Terms

I was shivering and sweating. What if the procedure didn't work? What if I had serious complications? What if I had to come back?

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Social media notoriously gives its users the opportunity to present their lives as perfect and conflict-free. Image: Thinkstock.

My Friend's Instagram Post About Her Miscarriage Changed How I See Social Media

I scrolled through my Instagram feed to catch a photo of a friend’s first tattoo. It was an abstract design that paid homage to her wedding venue, a distinctive historic site in her home state. The tattoo seemed sweet at first, but then I read the photo caption. My friend had gotten inked to honor the child she lost in miscarriage.

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Emotionally, there were times I longed for a hint of my Salvadoran heritage in my name.

Why My Immigrant Parent Gave Me Such An “American” Name

Plenty of Americans have names that don't convey their full cultural background because, at this point, so many of us are mixed up. How could our names possibly communicate all that we are? But when the time comes for an interracial, interethnic, international couple to name their child, they're often faced with a political decision.

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All illustrations by Kristen Rebelo

My Encounter with a 'Non-Racist' in Fear of a Black Neighborhood

Black—the whispered word in educated, politically correct, upper middle class society.

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What we cannot afford to do is spread more hate, especially among our own people.

I Won’t Resent The Latinx Folks Who Voted For Trump

In the weeks since Election Day, I’ve come to realize that while I’m entitled to my feelings, resenting the Latinx folks who voted for Trump is not a productive use of my time.

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Patsy Cline and husband Charlie Dick's graves in Shenandoah Memorial Park, VA. Image: Sarah Stierch (CC BY 4.0)

Visiting The Grave Of Patsy Cline, A Hero I Didn't Know I Had

[CN: mention of intimate partner violence] Patsy Cline sang with such a beautiful range of emotion because she had experienced so many ups and downs in her own life.

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"Our wedding took place one May morning, outside of a historic house that overlooks the river running through our college town." Image: Pixabay, Veton Ethemi

I Am An Artist Who Married Young, And I Feel Like The Only One

In art school, conversations about the merits of polyamory thrived, but hearing anyone express a genuine desire to get married almost never happened. It was almost taboo. The implication was, how could you want something so traditional? So suburban and unimaginative?

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