Christine Stoddard

The moon sauntered out from a curtain of clouds, whispering, “All things must end.”

Looking back at childhood photos now is bittersweet. In the moment the camera caught, I'm always smiling, but I wasn't always a happy child. I was fat-shamed almost daily.

Though I was raised in an interdenominational household, my upbringing could at best be described as vaguely Christian.

I scrolled through my Instagram feed to catch a photo of a friend’s first tattoo. It was an abstract design that paid homage to her wedding venue, a distinctive historic site in her home state. The tattoo seemed sweet at first, but then I read the photo caption. My friend had gotten inked to honor the child she lost in miscarriage.

I tapped the razor on the side of the sink and inspected my smooth legs for any missed spots. Then I rinsed the blade, washed my hands, and put on my outfit: a long-sleeved black top, a knee-length denim skirt, tall black boots, and a silver dragon necklace for good measure.

For years, my white father called my mother’s beauty an “exotic” beauty. When I started to come into my own, he began calling me “exotic,” too. It wasn’t until high school that I began to understand why this word bothered me. Though my father meant it as a compliment, the word “othered” my mother, younger sisters, and me.

Most of my friends are my age or slightly older and yet virtually none of them want children… ever. They argue that women deserve respect and autonomy over their bodies. I passionately agree. A few of these friends are, like me, engaged or married, but even they don’t want kids. One of my engaged friends says she and her fiancé may want to adopt children later in life, after they’ve had the chance to travel extensively.

Indigenous people throughout the world already face so many challenges; they don’t need non-Indigenous people appropriating their cultures and championing family lore as fact. The genocide of Indigenous people is an ongoing travesty throughout the world

Before I became a haunted house performer, I thought having my face touched was one of the creepiest things imaginable. But it wasn't the eerie set music or the beheaded baby dolls that changed my definition of scary. It was what went on in the green room.

In art school, conversations about the merits of polyamory thrived, but hearing anyone express a genuine desire to get married almost never happened. It was almost taboo. The implication was, how could you want something so traditional? So suburban and unimaginative?