Denarii Monroe

It’s like being a deer in the headlights. You’re in imminent danger. You know it. But you can’t move. You can’t speak. No reaction whatsoever. You just stand or sit there, frozen in time, waiting for the crash.

[W]hy must the acknowledgment of my beauty be predicated on how well and how often I contort to attempt to fit into some kind of ideal? Why can’t I be all the iterations of me and still be beautiful?

You can create boundaries for many things. For example, your communication needs (what works for you, what others need to know, what you can’t tolerate, etc.), your limits in the bedroom, or even when your employer or employee is allowed to call or text you. They can be established for romantic, familial, platonic, and professional relationships.

As storytellers, disabled writers have thousands of stories inside of us, some related to our disabilities and some not. Some of us are lucky enough to have some sort of outlet for our words — in public and/or private spaces — while others still struggle to find the voice that lives within.

Does becoming an adult mean you have to give up "childish" things like paralyzing crushes on celebrities? Denarii Monroe thinks not.

Much has already been said about the way the Stanford swimmer's privilege has insulated him from consequence, about the ever-pervasive victim blaming in public discourse, and about the inadequacy of the criminal justice system. But in so many of these conversations, in our rage against the rape culture machine, we forget the survivors — the most important people in the fight against sexual violence.