Catherine Gigante-Brown

Catherine Gigante-Brown

Bio

Catherine Gigante-Brown is a freelance writer of fiction, nonfiction and poetry. Her works have appeared in Time Out New York, Essence and Seventeen. She co-wrote two biographies for Prometheus Books and her short stories appear in fiction anthologies. Catherine’s first novel, The El, is available from Volossal Publishing. You can learn more about her on her website.

Catherine Gigante-Brown Articles

Deep Inside Her Sex

A midtown Manhattan studio was recently the site of liberation-both on and offscreen-when Shenshean

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Tracy Hammond: Author, Alpha Male Wrangler

Who says feminists don't love alpha males and cooking?

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It gets better than this.

The Important Lessons I Learned From Chemo

You realize pretty soon that everything other than cancer — i.e. missing a train, being late to your dentist appointment — is no biggie compared to the suck factor of chemo.

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Credit: Flickr/Carole Raddato

What's So Scary About Vaginas?

I asked a handful of women: why are people so scared of ladyparts?

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My Father Never Said I Love You, But I'll Be Different

I realized my father was from a generation that never said those three little words. He was saying he loved me without them. But I didn't realize it then.

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Credit: Thinkstock

How I Learned To Get Naked With Strangers Again After My Mastectomy

I fumbled with my lace bra, hoping my silicone form wouldn't fall out from the left cup. I wasn't exactly ready . . . yet I was.

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On Aging Gracefully... Sort Of

Wrinkles or lifelines? Chunky or curvaceous? The choice is yours.

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Until you're not.

Cancer Blues: You Never Really Get Over It

That’s the thing about being a breast cancer survivor — it’s always there: it never goes away. The scars, the fear that lurks in the back of your mind like a boogeyman. You’re going along nicely, living your merry life, and you’re fine, until you’re not.

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Image: NY Post

Love, Candice: A Farewell to Candida Royalle

Candida Royalle pretty much invented couples erotica. She made it socially-acceptable. Respectable. The women in her films looked like real women and had real, comfortable female bodies. And her movies actually had stories. Good stories. She hired her friends—adult legends like Annie Sprinkle, Veronicas Hart and Vera, and Gloria Leonard — to create Femme films too.

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image: US Navy.

In The Aftermath Of 9/11, A Home That Heals

We’ve pieced ourselves back together in a patchwork quilt of ragged emotions. The aftermath of 9/11 wasn’t easy for us, yet it was much easier than for some. People standing 50 feet away from Peter didn’t come home that night; he did.

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