Catherine Gigante-Brown

"Bring over a meal—and leave. Breakfast, lunch or dinner, from soup to nuts. And coffee. Plenty of coffee."

Candida Royalle pretty much invented couples erotica. She made it socially-acceptable. Respectable. The women in her films looked like real women and had real, comfortable female bodies. And her movies actually had stories. Good stories. She hired her friends—adult legends like Annie Sprinkle, Veronicas Hart and Vera, and Gloria Leonard — to create Femme films too.

"I was afraid this thing was going to do me in. But I took a deep breath and decided very early on that I would face cancer on my own terms."

Having someone steal my cancer history and co-opt it for their first-person Facebook blog is unbelievably violating. Somehow, it feels almost as invasive as my mastectomy.

Makeup and I have always had a love/hate relationship: I love it; it hates me.

I was 21 –– a Catholic, heterosexual college student, living at home in Brooklyn and still trying to discover who I was. At the crossroads of her life, Lorde knew exactly who she was. She was waging a war against cancer and sharing an old house in Staten Island with her kids and partner. But maybe we weren’t so different after all.

From New York to LA, this lady knows a good story.

"Sometimes David wore his hair spiked like a cockscomb. Others, he wore it feathery like a baby chick. He wore his Mohawk to summer camp (exchanging encouraging head chucks with another older camper who sported one, too) and even to Vacation Bible School—no judgment there."

As a breast cancer survivor, the worst day of the year is when I go for my mammogram. True, nobody actually likes mammos, but I’ve been bitten by one. On the way to my annual squishing, I realized that I have a bunch of coping strategies.

The overinflated American work ethic is slowly killing us. It’s constantly pushing us to do more — put in longer hours, check business emails on personal time, take calls from our bosses when we’re chilling in Cancun.