Catherine Gigante-Brown

To the tattoo artist, I was a flesh canvas that she could transform into something beautiful.

If the odds of getting cancer are like Powerball, why couldn't I be a scratch-off millionaire?

Instead of categorizing people as different colors, I proposed we might begin to think of each other as Earthtones—because our skin colors are based on hues from the earth. Just as the planet is made up of a myriad of shades, it’s still one cohesive entity. We can be thought of as one entity also.

Were you going to run into that cute guy John Williams on the way home? Would you see Anne Marie by the lockers and sort out what to do for the weekend? It was hit-or-miss, and that was the beauty of it. The breath-holding chance of it all. Now, our kids’ friends are as close as a keyboard stroke away. It’s too easy.

I asked a handful of women: why are people so scared of ladyparts?

Like if she steals from you — cash or a boyfriend. Or does something illegal she wants you to be a part of — or lie about. I draw the line at felonies (sometimes even misdemeanors) and you probably should, too.

In the photograph, my great-grandmother, Margarita Cirigliano, is sitting at a small table on the front porch of the family home in Borough Park, Brooklyn.

Why, when I'm cool with being a salt-and-pepper chick, does it so clearly unnerve others?

That’s the thing about being a breast cancer survivor — it’s always there: it never goes away. The scars, the fear that lurks in the back of your mind like a boogeyman. You’re going along nicely, living your merry life, and you’re fine, until you’re not.

Candida Royalle pretty much invented couples erotica. She made it socially-acceptable. Respectable. The women in her films looked like real women and had real, comfortable female bodies. And her movies actually had stories. Good stories. She hired her friends—adult legends like Annie Sprinkle, Veronicas Hart and Vera, and Gloria Leonard — to create Femme films too.