Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Andre Cymnone

Why Is Everyone So Scared Of Rock Music's Mixed-Race Roots?

The founder of the brilliant fyeahblackrockmusic Tumblr talks racial politics, Kelis, and . . . the Doobie Brothers?

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The Truth About Twitter's Call-Out Culture

Critics say call-out culture is mean-spirited and bullying. Not so fast.

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Courtesy of Wikipedia.org

Is Childbearing Actually Oppressive?

"Childbearing [is] barbaric and pregnancy should be abolished," wrote radical feminist theorist Shulamith Firestone in The Dialectic of Sex.

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From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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The Real Reason Superheroes Should Come In All Sizes

Bulimia.com has reworked superhero images to show more realistic body types—and their efforts are valuable in more than the expected ways.

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Does Making A List Of The Greatest Female Comics Creators Denigrate Women?

Is it insulting to ask about the greatest female comics creator?

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The brilliantly named Dickless (Credit: Wikimedia Commons)

Women In Metal: 9 Tracks From The Genderless Utopia Of Death

Metal aggression isn't sexual, but existential. As a result, women in the genre are both rare and unexpectedly equal.

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Kathleen Gilles Seidel: Romance Novelist

english lit academic. wish fulfiller. thwarted world-changer.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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