Noah Berlatsky

It's not the gender that's the problem: It's the oppression.

The first graphic novel to win a Caldeott gives children the chance to be adults, and adults the chance to be kids.

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

The surface text of the film is that you can't trust some guys. The (barely) subtext is that you can't trust any guys.

The cover for A-Force is a combination of tired trope and deodorant ad. Female empowerment can do so much better.

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.

Who is memorialized in death has everything to do with race, class . . . and who you were in life.

The loss of gospel history has meant forgetting how important black women have been to American performance styles.

Is the gender of the philosopher a marginal curiosity—or is it more central?

Art without politics actually results in a sweeping Puritanism. For art to have power, it needs to engage with power, with politics.