Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

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The Real Problem With Starbucks' Race Together Program? Classism 

Talking about race can get you into a lot of trouble . . . especially if you don't have a lot of class power or status.

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"Girl In A Country Song" Continues Long Tradition Of Twangy Feminist Critique 

Maddie & Tae's new hit both indicates and subverts country's long history of sexism.

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From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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Why Progressives Need Conservatism To Save The Church

Conservative fetishization of the past is myopic, simplistic, and mean-spirited—but progressives can be too quick to cede tradition.

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Batman, Superguys, And The Man In Bam!

Did the classic Adam West Batman show strike a blow (Kerwhap!) for feminism?

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Why The New Jude Law Film Black Sea Has A Masculinity Problem

It's hard to deny the appeal of the masculine ideal, especially when embodied in Jude Law. And yet, it's also a depressing vision.

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Enslaved or empowered?

Arrests Made At Rentboy.com: Should Male Prostitution Be Illegal?

Why should prostitution be illegal? And, more specifically why should male prostitution be illegal?

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The Real Reason Superheroes Should Come In All Sizes

Bulimia.com has reworked superhero images to show more realistic body types—and their efforts are valuable in more than the expected ways.

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The Latest Proof That Men's Rights Activists Don't Actually Care About Men's Rights

A recent controversy at the Calgary Expo suggests MRAs care more about making opponents look bad than they do about discrimination.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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