Noah Berlatsky

The first graphic novel to win a Caldeott gives children the chance to be adults, and adults the chance to be kids.

As a white woman, Swift can afford to celebrate carelessness. Beyoncé, though, knows that even her casualness has to be perfect.

A recent controversy at the Calgary Expo suggests MRAs care more about making opponents look bad than they do about discrimination.

Last year there was much excitement at the announcement that Lupita Nyong'o was going to play a major role in Star Wars: The Force Awakens — the first Black woman to star in the franchise.

Sex and bodies don't clarify gender; they confuse the issue.

Billie Holiday, Ella Fitzgerald, Edith Piaf: they're all still practically household names.

It's hard to deny the appeal of the masculine ideal, especially when embodied in Jude Law. And yet, it's also a depressing vision.

With the prospect of another Bush/Clinton presidential contest looming as ominously as Donald Trump's hairpiece, the word "dynasty" seems to be frothing off of many a pundit's keyboard. "Clinton, Bush struggle to shed dynasty labels," a Washington Post headline declared.

Daredevil focuses on the dynamics of heroism—the display of strength and violence as a way to distance oneself from weakness.

The cover for A-Force is a combination of tired trope and deodorant ad. Female empowerment can do so much better.