Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Credit: ThinkStock

There's No Glamor In Writing: I'm Not A Blogger—I'm A Slogger

Writing can be hard and uncomfortable and precarious—but it's hard and uncomfortable and precarious in the way that any job can be.

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All photos courtesy of Jillian Tamaki and Mariko Tamaki via Paste Magazine

Violence, Sex, And Coming Of Age: Why Everyone Is Talking About This One Summer  

The first graphic novel to win a Caldeott gives children the chance to be adults, and adults the chance to be kids.

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Flickr.com

The Virtues Of A Lazy Marriage

Lower your standards, live in moderate amounts of filth, and go to bed early. The cat will thank you.

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Credit: Thinkstock

The Latest Proof That Men's Rights Activists Don't Actually Care About Men's Rights

A recent controversy at the Calgary Expo suggests MRAs care more about making opponents look bad than they do about discrimination.

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"Girl In A Country Song" Continues Long Tradition Of Twangy Feminist Critique 

Maddie & Tae's new hit both indicates and subverts country's long history of sexism.

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Credit: ABCNews

Lena Dunham's Jewish Boyfriend Quiz And The Truth About Anti-Semitism

In the U.S., anti-Semitism is universally condemned. This means that, effectively, anti-Semitism doesn't exist.

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Scene from To Kill A Mockingbird Credit: Wikimedia Commons

Oscars Voter Raises Question: What Does A Racist Look Like?

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

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Andre Cymnone

Why Is Everyone So Scared Of Rock Music's Mixed-Race Roots?

The founder of the brilliant fyeahblackrockmusic Tumblr talks racial politics, Kelis, and . . . the Doobie Brothers?

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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Michael Ealy. Image: Wikimedia Commons

Misogyny, Violence and Stalking: A Review Of The Perfect Guy

The surface text of the film is that you can't trust some guys. The (barely) subtext is that you can't trust any guys.

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