Noah Berlatsky

The rom-com's worshipping of power and wealth comes with a gender twist.

The founder of the brilliant fyeahblackrockmusic Tumblr talks racial politics, Kelis, and . . . the Doobie Brothers?

As a white woman, Swift can afford to celebrate carelessness. Beyoncé, though, knows that even her casualness has to be perfect.

"I believe that, in order to address these problems, we need to first understand how we got here."

It's worth questioning some of our assumptions about adolescent inferiority.

Katniss is the voice of conscience and morality in the film, and in The Hunger Games series as a whole. In the just released last film in the series, she tries repeatedly to avoid unnecessary deaths. She insists that refugees from an attacked base be given an escape route, for example, and exposes herself in an effort to help them.

David Ress' Aphexswift is genius precisely because it's so unlikely.

It's hard to deny the appeal of the masculine ideal, especially when embodied in Jude Law. And yet, it's also a depressing vision.

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

A recent controversy at the Calgary Expo suggests MRAs care more about making opponents look bad than they do about discrimination.