Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Credit: Thinkstock

It's Time To Change How We Look At The Teen Brain

It's worth questioning some of our assumptions about adolescent inferiority.

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Domestic Violence: Not Just A Female Issue

This doesn't mean that the outcomes of domestic violence are always equal; men tend to be bigger and stronger than women, and therefore are more likely to cause serious harm, even in situations where violence is reciprocal. Still, the fact that women are frequently perpetrators of violence in domestic situations substantially undermines the typical story of domestic abuse—and helps to show just how harmful that story is.

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All photos courtesy of Jillian Tamaki and Mariko Tamaki via Paste Magazine

Violence, Sex, And Coming Of Age: Why Everyone Is Talking About This One Summer  

The first graphic novel to win a Caldeott gives children the chance to be adults, and adults the chance to be kids.

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A behind-the-scenes shot of rehearsal. Courtesy of Beyonce's Facebook

The Problem With Beyonce's "Precious Lord" Cover At The Grammys

So, if there are so many ways to sing this song, and if it's meant different things at different points, why complain about Beyoncé's version?

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Credit: ABCNews

Lena Dunham's Jewish Boyfriend Quiz And The Truth About Anti-Semitism

In the U.S., anti-Semitism is universally condemned. This means that, effectively, anti-Semitism doesn't exist.

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Image: Flickr

The Hunger Games: Mockingjay, Part 2, Continues To Deliver Violence 

Katniss is the voice of conscience and morality in the film, and in The Hunger Games series as a whole. In the just released last film in the series, she tries repeatedly to avoid unnecessary deaths. She insists that refugees from an attacked base be given an escape route, for example, and exposes herself in an effort to help them.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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Image: Wikimedia

Star Wars: The Force Awakens Disappoints: Lupita Nyong’o's Character Is Computer-Generated

Last year there was much excitement at the announcement that Lupita Nyong'o was going to play a major role in Star Wars: The Force Awakens — the first Black woman to star in the franchise.

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Idris Elba As A Post-Racial James Bond? Not So Fast

Let's not ignore the fact that the original James Bonds wasn't just white. He was a white supremacist.

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Credit: Wikimedia Commons

The Problem With Spock's Sex Appeal 

With the death of Leonard Nimoy, it's a good moment to pay tribute to (and question) his most famous character.

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