Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

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What A Bad Jason Isbell Concert Taught Me About Marriage

Irritation is the way of all flesh. The question is, if you're going to be annoyed for all of eternity, who do you want to be doing the annoying?

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Image: Flickr

The Hunger Games: Mockingjay, Part 2, Continues To Deliver Violence 

Katniss is the voice of conscience and morality in the film, and in The Hunger Games series as a whole. In the just released last film in the series, she tries repeatedly to avoid unnecessary deaths. She insists that refugees from an attacked base be given an escape route, for example, and exposes herself in an effort to help them.

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A Love Letter To The Original Movie, The Transporter 

Action movies don't usually bother much with romance. The trailer for The Transporter: Refueled certainly doesn't. The hero is cool — sexy women, plural, throw themselves at him, or at least stand near him and things blow up; there are fights and revenge and high production values. Romance is, at best, a secondary concern.

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A Christmas Gone Perfectly Wrong And The Joy Of A Good Guy Protagonist

For once, central character Andrew's flaws are tied up in the fact that he is—wait for it—fundamentally decent.

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GQ Covers Reveal How Women And Men Are Sexually Objectified—But In Very Different Ways

A new Facebook post calls into question cover depictions of hyper-sexualized men and women.

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The Lion, The Witch, And The Wardrobe—And Feminism?

C.S. Lewis' classic book presents an unlikely challenge to the patriarchy in the form of its true hero, Lucy.

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From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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Why The New Jude Law Film Black Sea Has A Masculinity Problem

It's hard to deny the appeal of the masculine ideal, especially when embodied in Jude Law. And yet, it's also a depressing vision.

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Scene from To Kill A Mockingbird Credit: Wikimedia Commons

Oscars Voter Raises Question: What Does A Racist Look Like?

According to an Academy Awards voter, the right sort of people, with the right sort of education and connections, can't be racist.

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Should We Really Do Away With Gender?

It's not the gender that's the problem: It's the oppression.

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