Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Credit: Thinkstock

Heavy Metal Tries To Join Forces With #GamerGate . . . And Fails 

For a second, it looked like the rabid hordes of gamergaters would be joined by metalheads. But #metalgate was never meant to be.

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What On Earth To Make Of Azealia Banks' Whiteface Music Video

Banks' "Ice Princess" video shows that it's not only white people who can pick up someone else's culture.

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Is All Art Political?

Art without politics actually results in a sweeping Puritanism. For art to have power, it needs to engage with power, with politics.

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deviantart.com

Newsflash: The Original Ghostbusters Was Totally Sexist

A Ghostbusters with a female cast is a thorough violation of the spirit of the original. And that's a good thing.

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What Happens When Men Cover Female-Penned Songs?

These covers remind us of the lengthy, rich—but often obscured—history of female songwriters.

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Even In Tragic Death, Charlie Hebdo Victims Benefit From Privilege 

Who is memorialized in death has everything to do with race, class . . . and who you were in life.

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Michael Ealy. Image: Wikimedia Commons

Misogyny, Violence and Stalking: A Review Of The Perfect Guy

The surface text of the film is that you can't trust some guys. The (barely) subtext is that you can't trust any guys.

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The brilliantly named Dickless (Credit: Wikimedia Commons)

Women In Metal: 9 Tracks From The Genderless Utopia Of Death

Metal aggression isn't sexual, but existential. As a result, women in the genre are both rare and unexpectedly equal.

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Courtesy of Wikipedia.org

Is Childbearing Actually Oppressive?

"Childbearing [is] barbaric and pregnancy should be abolished," wrote radical feminist theorist Shulamith Firestone in The Dialectic of Sex.

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Ex Machina Promotional

The Castrating Power Of The Femme Fatale: Ex Machina

Their sexuality traps and destroys male innocence, as they grad hold, by the penis- the better to lead him to castration. Make no mistake that castration is greeted with fear, terror, and disgust—but also with glee. Women as super villains allow their characters to be super powerful; a force for evil is at least a force. In a media landscape where women are often rendered secondary, invisible, and passive, the femme fatale, in her icy violence, seizes female agency along with the phallus that she so efficiently cuts off.

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